Nanette Carter
Adjunct Associate Professor, Tenured, Pratt Institute of Art, Brooklyn, NY

1978-Pratt Institute of Art, Brooklyn, NY,
1976-Oberlin College, Oberlin, Ohio, BA
1975-Accademia Belle Arti, Perugia, Italy,     
           Junior Year Abroad

Solo Exhibitions

2019 *Gallery Ami Kanoko, Osaka, Japan
         *Gallery Hatoba, Kyoto, Japan

2018 *Esperanza en Armonia, Museo       
           Nacional de Bellas Artes, Havana,
         *An Act of Balance, Skoto Gallery, NYC,                          


2017 *Nanette Carter, Alessandro Berni     
           Gallery, Perugia, Italy
2016 *Nanette Carter, Gallery Ami & Kanoko,
            Osaka, Japan
2014 *Constructions:Textural
, G. R. N’Namdi
           Center for Contemporary Art,
           Detroit, MI

2012 *In the Garden: The Animist,
           N'Namdi Contemporary, Miami, FL
2008 *Aqueous, G. R. N'Namdi Gallery,
           Chicago, IL

2007 *Nanette Carter, Kozah Art Gallery,
           Damascus, Syria

2006 *Aqueous, G. R. N'Namdi Gallery, NYC,

          *Walter Gropius Visiting Artist Series,
            Huntington Museum of Art, WV

2005 *Fluid Borders, G. R. N'Namdi Gallery,
            Chicago, IL

           *Nanette Carter, President's Gallery,
             Pratt Institute of Art, Brooklyn, NY

           *Fluid Borders, Swartley Gallery,
             Dwight-Englewood School,
             Englewood, NJ

2004 *Conceptual Abstractions, June Kelly
           Gallery, NYC, NY
          *Conceptual Abstractions, Noel Gallery,
              Charlotte, NC

2003 *Transfluent Lines, Sande Webster
            Gallery, Philadelphia, PA

2002 *Motion Cleansing, G. R. N'Namdi
            Gallery, Detroit, MI

          *Motion Cleansing, G. R. N'Namdi
            Gallery, Chicago, IL

          *Picante: Erotic Drawings, OGT Gallery,
              NYC, NY 

2001 *Nanette Carter: Recent Work, Conkling
           Gallery, Minnesota State University,
           Mankato, MN

          *Statement: Prints and Paintings, Sande
            Webster Gallery, Philadelphia, PA

2000 *Slightly Off Keel, June Kelly Gallery,
            NYC, NY
          *Nanette Carter, Barbara Greene Fine Art,
            NYC, NY

1999 *Slightly Off Keel, Sande Webster
           Gallery, Philadelphia, PA

          *Slightly Off Keel, G. R. N'Namdi
            Gallery, Birmingham, MI

          *Point-Counterpoint to Slightly Off Keel,
            G.R. N’Namdi Gallery, Chicago, IL

1998 *Segments, Daura Gallery, University of               

          Lynchburg, Virginia

1997 *New Works, Rathbone Gallery, The
           Sage Colleges, Albany, NY

         *Recent Works on Mylar, Sande Webster
          Gallery, Philadelphia, PA

         *Point-Counterpoint, June Kelly Gallery,
           New York, NY

         *Nature’s Mystique: Paintings and           
, Noel Fine Art Acquisitions
           at Hodges Taylor Gallery, Charlotte, NC

1996 *Paintings, G.R. N'Namdi Gallery,
            Birmingham, MI

1995 *Window View-Scapeology, Sande
           Webster Gallery, Philadelphia, PA

         *Window View-Scapeology, Alitash                        

          Kebede Gallery, Los Angeles, CA

1994 *Recent Work, June Kelly Gallery, New
           York, NY

1993 *Collaged Canvases, Sande Webster
           Gallery, Philadelphia, PA 

1992 *Paintings, G.R. N'Namdi Gallery,
           Birmingham, MI

          *Alitash Kebede Gallery, Los Angeles, CA

         *Paintings and Prints, G. R. N'Namdi
           Gallery, Columbus, OH

         *Nature's Themes, Franklin and Marshall
           College, Lancaster, PA

1991 *Wall Reliefs-Installation, Fine Arts
           Gallery, Long Island University, 
           Southampton, NY

         *Fire and Water, Westminster Gallery,
           Bloomfield College, NJ

1990 *Oil Pastels on Canvas, June Kelly
           Gallery, New York, NY

          *Meet the Artist, Jersey City Museum, NJ

1989 *Recent Works, G.R. N'Namdi Gallery,
           Birmingham, MI

1988 *Divergencies, Montclair Art Museum,

1986 *Illumination, G.R. N'Namdi Gallery,
            Detroit, MI

1985 *Illumination, Cinque Gallery, New
           York, NY

1984 *Collages, G.R. N'Namdi Gallery,
           Detroit, MI

1983 *Recent Works, Ericson Gallery, New
           York, NY

1978*Thesis Exhibition, Pratt Gallery, Pratt       
          Institute of Art, Brooklyn, NY

1976*Prints and Drawings, Gallery Between the
         Domes, Oberlin College, Oberlin, Ohio

Group Exhibitions

2019-The Thelma and Bert Olli Memorial Art
, Saint Louis Art Musuem,
          St. Louis, MO

        -Ronald Walton & Friends, Black History
         Museum and Culural Center of Virginia, 
         Saint Petersburg, Virginia

        -Abstraction in the U.S. From 1970's to
          the Present
,  The Patricia and Phillip     
          Frost Museum Miami, Florida

         -Group Show, Skoto Gallery, NYC, NY

         -African American: We Too Dream,
           Museum of Art - Deland, Florida,
           Deland, FL
2018-Known: Unknown, New York Studio
          School, NYC, NY
         -Selection 2018, Skoto Gallery, NYC, NY
         -Global Metaphysics of Abstract
           Painters/ Performance
, East Hawaii 
           Cultural Center, Hilo, Hawaii

        -Collage As Matter, 11th Ave., Sotheby's
          International Realty, NYC, NY

        -Dancing on the Edge of the Abyss,
          The Columbus Museum, Columbus,

2017-Magnetic Fields: Expanding American 
            Abstraction, 1960's to Today
            Kemper Museum of Contemporary     
            Art,  Kansas City, Missouri, June;
            National Museum of Women in the   
            Arts, Washington, DC, October;
            Museum of Fine Arts, St. Petersburg,
            St. Petersburg, Florida, May

         -Printfest: Modern, Contemporary and
           Future Masters
, Center for the Arts     
           Gallery, Towson University, Towson,   

         -Women From the Collection, Nedd
           Hotel Collection, London, England  

         -I Embody......, Marietta College,
           Marietta, Ohio 

         -Enduring in Vision and Linked in
, Robert and Frances Fullerton 
           Museum, California State University,
           San Bernardino, CA 

2016 -Circa 1970, The Studio Museum in
           Harlem, NYC, NY

         -SCOPE International Art Contemporary
           Art Show
, N'Namdi Contemporary
           Gallery, Booth C12, Miami, FL

         -Beyond Borders: Bill Hutson and
           Friends, University of Delaware,
           Newark, DL

        -We may be through with the past...,
          Gallery Nine 5, NYC, NY

        -Invitational Exhibition of Visual Artists,
          American Academy of Arts and 
          Letters, Curated by Souhad Rafey, NYC,

        -Changing The Subject: The Women
          Artists of the Experimental     
          Printmaking Institute, New Door   
          Creative Gallery, Baltimore, MD

        -Visions of Our 44th President, The Black
          Archives, History and     
          Research Foundation, Miami FL

        -Bridging the Gap, Bishop Gallery,
          Brooklyn, NY

        -Fine Arts Faculty Exhibition I:Sublime
, Pratt, Brooklyn, NY

2015-SCOPE/Miami International
          Contemporary Art Show
, N'Namdi
          Contemporary Gallery, Booth 11E,   
          Miami, FL

         -Experimental Printmaking Institute,
           Re:find Gallery, Easton, PA

         -Group Show, N'namdi Center   
           for Contemporary Art, Miami, FL

         -Paintings in Trees, The People's Garden,
           Brooklyn, NY

2014-African American Artists and
, National Museum of
          Fine Arts, Havana, Cuba

         -Emme Ya: Women From the Permanent
, Winston-Salem
          State Museum, Winston-Salem, NC

         -Miami Show, N'Namdi Contemporary,
           Miami FL

2013-Women Call for Peace, Shiva Gallery,
          John Jay College, NYC

         -Ladies First, Walton Gallery, Petersberg,

         -Miami Show, N'Namdi Contemporary
           Gallery, Miami, FL

         -Nanette Carter and Howardena Pindell,
           The Florrissant Valley

         -50 Years of Abstraction, N'Namdi Center
           for Contemporary Art, Detroit, MI
         -Nanette Carter and Howardena Pindell,   
          The Florissant Valley Contemporary Art
          Gallery, Contemporary Art Gallery, St.
          Louis Community College, St. Louis, MO

         -Drawing Democracies, Pratt Institute,
           Curated by Nanette Carter,  
           Brooklyn, NY

2012-Visions of Our 44th President, Charles
           H. Wright Museum, Detroit, MI

         -Visual Heritage III, Southampton
           Cultural Center, Southampton, NY

        -N'Namdi Contemporary, Miami, FL

        -Fine Arts Faculty Exhibiton, Schaffler
          Gallery, Pratt, Brooklyn, NY

2011-The Chemistry of Color, Hudson River
          Museum, Yonkers,NY

         -Beyond Bearden, Harvey B. Gantt
           Center of Art, Charlotte, NC

        -Invitational, Ashawagh Hall, East
          Hampton, NY

        -The Art of Giving BackUnited Negroe
          College Fund
, School of Visual      
          Arts, NYC, NY

2010-The Chemistry of Color, Columbia       
          Museum of Art, Columbia, SC

        -G. R. N'Namdi Gallery, Chicago, Ill.

        -Mediums, Solar Gallery, East Hampton,

        -N'Namdi Center for Contemporary Art,
          Detroit, MI

        -Essie Green Gallery, NYC, NY

        -Fine Arts Faculty Show, Schafler Gallery,
          Pratt Inst. of Art, Brooklyn, NY

2009-Permanent Collection, Studio Museum
          in Harlem, NYC, NY

2008-Ornery Abstraction, Ceres Gallery,
          NYC, NY

         -In Context: The Language of Abstraction
, Henry Street
          Settlement House, NYC, NY

        -Pratt Prints, Gallery Bravura, Brasiliera
         and Bellas Artes University
         Gallery, Sao Paulo, Brazil

        -N'Namdi Collection, Oakland University
          Gallery, Rochester, MI

        -Discursive Acts, University Museum,
          University of Delaware, Newark, DL

        -Friends of Herbert Gentry, The Parrish
          Gallery, Washington, DC

        -Gallery Opening, Sharon Simmons
          Gallery, Brooklyn, NY

        -Fine Arts Faculty Exhibition, Schafler
          Gallery, Pratt Inst. of Art,
          Brooklyn, NY

        -Summer Show, Walking Tall Gallery,
          East Hampton, NY

2007-Forms of Abstraction, G. R. N'Namdi
          Gallery, NYC and Detroit

        -International Women's Art Festival,
           LePont Gallery, Aleppo, Syria

        -Living With Art: Collection of Alitash
, Lousiana State Museum,
          Baton Rouge, LA, Los Angeles African
          American Museum, CA

        -Between Two Worlds, The Bermuda
          National Gallery, Bermuda

        -Summer Show, Walking Tall Gallery,
          East Hampton, NY

2006-Driven to Abstraction, New York State
          Museum, Albany, NY

         -African-American Works from the
, The Montclair Art 
          Museum, Montclair, NJ

         -That's a Whole "Notha Story", Art in the
           Atrium, Morristown, NJ

2005-Different Ways of Seeing: The
          Expanding World of Abstraction
, The 
          Noyes Museum of Art, Oceanville, NJ

         -The Chemistry of Color: African-
           American Artists in Philadelphia, 1970 -
           1990, from the Sorgenti Collection,
           Pennsylvania Academy of the Arts,
           Philadelphiaa, PA

        -Spectrum Pallette, Lambert Gallery,
          Atlanta, Georgia

        -Crossing Disciplines: Drawing, Schafler                

         Gallery, Pratt Institute of Art,

         Brooklyn, NY            

        -African- American Printmakers: The
          Legacy Continues,
Aljira Gallery,       
          Newark, NJ

2004-Five Contemporary Voices in a New
Delta Arts Center, Winston-
          Salem, NC, catalogue 

         -A Universe of Art, Credit Suisse / First                           

          Boston, catalogue, New York, NY

         -A Century of African- American Art, The
           Paul Jones Collection, The 
           University Museum, University of   
           Delaware, Newark, Delaware 

         -Creating Their Own Image: A History of
           Afro- American Women Artists,

           Aronson Galleries, Parsons School
           of Design, New York, NY              

         -Faculty Show, Pratt Institute of Art,
           Brooklyn, NY

         -Global Vision, Lambert Gallery, Atlanta,

         -Vivacious II!, Diggs Gallery, Winston- 
            Salem State University, N.C.  

         -Forms of Abstraction, G.R. N’Namdi
           Gallery, New York

         -Allu’sion, Rongio Gallery, Brooklyn,
           New York

2003-Layers of Meaning: Collage and
            Abstraction in the Late 20th Century
            Pennsylvania Academy of the Fine Arts,              

            Philadelphia, PA

         -For Love and Peace of Mind, curated by
           Nanette Carter, OGT Gallery, NY

2002-No Greater Love, Abstraction, Jack
          Tilton/ Anna Kustera Gallery, NY  

         -Beauty, Exhibit A Gallery, New York,

         -Spotlight on African American Art,
           Eclectic Connection Fine Art Gallery,
           Summit, NJ     

         -Six American Masters, Sugar Hill Art
           Center, New York, NY

         -Pfizer Incorporated, New York, NY

         -Fine Arts Faculty Exhibition, Pratt
           Institute, Brooklyn, NY

2001-Somos Simpatico, Barbara Greene Fine
          Art, New York, NY

2000-Collector’s Show, Arkansas Arts
          Center, Little Rock, AR

          -African-American Art at 2000,
            Rockland Center for the Arts, West
            Nyack, NY

          -Organic. Synthetic. Physic., Krest
            Center Gallery, Concordia College,
            Ann Arbor, MI

         -Painterly Prints, curated by Claude
           Elliott, Rhode Island School of Design,
           Museum of Art, Providence, RI

1999- Thunder at the Cathedral, curated by
           Brenda Branch, Skylight Gallery, Bedford
           Stuyvesant Restoration Corporation’s
           Center for Art and Culture, Brooklyn, NY

         -Women Artists in Celebration of Lois
           Mailou Jones
, curated by Julia
           Hotton, The National Arts Club, New
         -A Place By The Sea, essay by Jim Richard
          Wilson, The Sage College  
          Rathbone Gallery, Albany, NYY;
          catalogue; traveled to Christine
          Nienaber Contemporary Art, NYC and
          Arlene Bujese Gallery, East
          Hampton, NY 

        -Entitled: Black Women Artists, curated
          by Brenda Branch, Rush Arts Galley
          New York City, NY
         -Christiane Nienaber Gallery of
          Contemporary Art, New York, NY

        -Black New York Artists of the 20th
         Century: Selections from the  
         Schomberg Center Collection,

          Schomberg Center for Research in Black
          Culture, NYC, NY

1998-Beyond the Veil: The Art of African
           American Artists at Century’s End,

           guest curator Dr. M. J. Hewitt, The
           George D. and Harriet W. Cornell 
           Fine Arts Museum, Rollins College,
           Winter Park, FL     

        -New York Eight, Alitash Kebede
          Contemporary Art in association with 
          Louise Ross Gallery, New York

        -Breadth and Scope, Jonkonnu Gallery,
          Sag Harbor, NY

        -Seeing Red, Nabisco, East Hanover, NJ

        -One Voice, Many Visions: Works by
          African-American Artists
, The Rhode
          Island School of Design Museum of Art,
          Providence, RI

        -Creations, Elise Goodheart Gallery, Sag
          Harbor, NY

        -The Centennial Open, The Parrish Art
          Museum, Southampton, NY 

1997-Transferring Culture: Work from the
           Lower East Side Printshop
, curated by Sarah M. Lowe, La
           Mama Galleria, New York

        -Women In Full Effect, curated by
          Nanette Carter, RUSH Art Gallery, 
          New York City, NY

1996-Recent Acquisitions, Yale University Art
            Gallery, New Haven, CT

        -Bearing Witness: Contemporary Works
         by African American Women
         Artists, Inaugural exhibition curated by
         Dr. Jontyle Robinson, Spelman 
         College Museum of Fine Art, Atlanta, GA;
         traveling exhibition: Fort
         Wayne Museum of Art, IN; Polk Museum
         of Art, Lakeland, FL; The
         Columbus Museum, GA; African   
         American Museum, Dallas, TX;  
         Minnesota Museum of American Art, St. 
         Paul, MN and the Ulrich
         Museum of Art, Wichita, KS 

        -Unique Editions: The Process, Cinque
          Gallery, NYC, NY

        -African American Printmakers: Three
          Decades of Excellence
, The
          Philadelphia Museum of Art, in
          collaboration with Sande Webster
          Gallery, PA

        -Color Coded: Abstraction and Identity in
          Contemporary Painting
, curated
          by Gerard Brown, Sleeth Gallery, West
          Virginia Wesleyan College,
         Buckhannon, WV

        -Women Artists of Color, Pittsburgh
          Center for the Arts, PA

        -Collecting African American Art, Wayne
          State University, Detroit, MI

1995-Jazz Y Son, an invitational and juried
           exhibition of recent work by Pratt 
          Alumni of African and Latino descent,
          guest juror, Claudine Brown,
          National African American Museum
          Project, Pratt Manhattan
          Gallery, New York

        -African-American Printmaking: 1838 to
          the Present
, The Rockland Center
          for the Arts, West Nyack, NY

        -African-American Printmakers: WPA to
          the Present
, co-curated by Michael
          Murphy and Sande Webster, Gettysburg
          College, PA

        -Editions: Contemporary International
, curated by Carl E.
          Hazelwood, Skoto Gallery, New York

        -Munson-Williams-Proctor Institute
          Museum of Art, Utica, NY

        -Modern Art Museum of Fort Worth, TX

1994-96 -Rainbow: Prints from Bob
            Blackburn's Printmaking Workshop

            sponsored by USIA, traveling

            through Sub-Saharan Africa

1994-Empowerment: The Art of African
            American Artists
, organized by Lehman
            College Art Gallery for Krasdale Foods
            Art Gallery, Bronx, NY

         -Merrill Lynch, Somerset, NJ

         -Ashawagh Hall Gallery, East Hampton,

        -Museum of Art, Rhode Island School of
          Design, Providence, RI

       -Anniversary: Westminster Gallery 
Bloomfield College,
         Bloomfield, NJ 

1993-95 -Bob Blackburn's Printmaking
        Workshop: Artists of Color and Print
        Portfolio; traveling exhibition

1993-The Studio Museum in Harlem: 25 Years
            of African-American Art
, Paine
           Webber Art Gallery, New York;
            traveling exhibition

        -Monotypes/Monoprints, Associated
          American Artists, NYC, NY

        -Incidence of Passage, Art Initiatives,
          NYC, NY      

        -Aljira, A Center for Contemporary Art,
          Newark, New Jersey

        -Jazz Impressions, University Gallery
         Fine Arts, curated by Pam Tills,
         University of Massachusetts, Amherst,

        -Multiple Dialogues: Expressions in
, Painted Bride Art Center, 
          curated by AM Weaver, Philadelphia, PA

        -The City College of New York, NY

        -The Delaware Art Museum, Wilmington,

       -Collectors' Choice: Celebrating Diversity,
The Unitarian Church, Montclair, NJ

1992-The Expanding Circle: A Selection of
         African American Art
, The Gallery at 
         Bristol-Myers Squibb, curated by Mel
         Edwards, Princeton, NJ; catalogue 11

        -Master Prints from the Rutgers Center
          for Innovative Printmaking: The
          First 5 years, The Gallery at Bristol-
          Myers Squibb, Princeton, NJ

        -Presswork-The Art of Women
, The National Museum of 
         Women in the Arts, Washington, DC

        -Points of the Compass, The Noyes
          Museum of Art, curated by AM Weaver,
         Oceanville, NJ

        -Just Beyond Relief: An Exhibition of
Salena Gallery, Long Island
         University, Brooklyn, NY

        -Identities, Art House Odeon Gallery,
          curated by Jennifer Cross, Sag Harbor,

        -Long Island University, Hillwood Art
          Museum, Brookville, NY

        -Ben Shahn Gallery, Paterson State

1991-Monotypes, Mary Ryan Gallery, New

        -Triangle Artist Workshop 10th
, Usdan Gallery, Bennington
          College, VT; catalogue

        -In Full Effect, The Riffe Gallery, Ohio
          Arts Council, Columbus, OH

        -Spaces, Cleveland, OH

        -New Visions Gallery, Ithaca, NY

1990-Black Women in the Arts, Montclair
           State College Art Gallery, NJ

        -East Hampton Center for Contemporary
          Art, New York

        -Sande Webster Gallery, Philadelphia, PA

        -Louisa McIntosh Gallery, Atlanta, GA

        -Jamaica Arts Center, Jamaica, NY

        -Four Views, Four African American
Dowd Fine Arts Gallery, SUNY at
          Cortland, Cortland, NY

1989-Monoprints/Monotypes, University of
           Maine at Orono, Museum of Art, ME

         -Impressions: Our World, Flushing
           Center, Queens, NY; Center for Art and
           Culture, curated by Frances Hynes,
           Brooklyn, NY

1988-Expressions: Black Art '88, National
           coalition of 100 Black Women Inc., 
           Stamford, Conn.

        -A Summer Spectrum, June Kelly Gallery,
          NYC, NY

        -Monotypes, Mary Ryan Gallery, NYC,

        -Who’s Uptown, The Schomburg Center
          for Research in Black Culture, NYC,

        -Works in the Collection, The Studio
          Museum in Harlem, NYC, NY

        -Fashion Moda Gallery, Bronx, NY

        -Small Works, Cinque Gallery, NYC, NY

1987-Heresies - 10th Anniversary Show,
         P.P.O.W. Inc., NYC, NY

        -Current Thinking, Kenkeleba Gallery,
          NYC, NY; catalogue

        -Celebration, AT&T, Hopewell, NJ

        -McIntosh Gallery, Atlanta, GA

        -Wenniger Gallery, Boston, MA

1986-Hot off the Press, Associated American
          Artist Gallery, NYC, NY

        -Women's Center, NYC, NY

        -Pennsylvania Academy of Fine Arts,
          Philadelphia, PA

1985-Collage-The State of the Art, The Bergen
          Museum of Art and Science, 
          Paramus, NJ

        -Twentieth Century Afro-American
          Artists: Selection from the Permanent
, Newark Museum, Newark, NJ

        -Progressions: A Cultural Legacy, The
          Clocktower Gallery, curated by Viviane
          Brown, Emma Amos, Julia Hotton, NYC,

        -Prints From Blocks 1900-1985,
          Associated American Artists, NY

        -Mid-Hudson Valley Gallery, curated by
         Barbara Haskell, Poughkeepsie, NY

       -Masters of Collage, 843 Studio Gallery,
         Brooklyn, NY

       -Minority Art Educators, The Interchurch 
         Center, in conjunction with Cinque Gallery,
         NYC, NY

1984-The Women's Art Exhibit, Purdue
          University, Fort Wayne, IN

        -Diane Brewer Gallery, NYC, NY

        -Saginaw Art Museum, Saginaw, MI

        -Gallery Artists Exhibition, Ericson
         Gallery, NYC, NY

        -Celebration: Eight Afro-American     
, Henry Street Settlement/Louis 
          Abrons Arts for Living Center, curated
          by Romare Bearden, NYC, NY; catalogue

1983-Salute to Black Women Artists, First
          Women's Bank, NYC, NY

         -The Member's Gallery, Albright-Knox
           Museum, Buffalo, NY

         -The Water's Edge, Ericson Gallery, 
          2 person exhibit, NYC, NY

1982-Invitational Show, Ericson Gallery, New

        -Black Achievement in the Arts, Equitable
          Life Assurance, New York

        -Miriam Perlman Gallery, Chicago, IL

        -Renaissance Gallery, Cleveland, OH

        -Beauty Exhibition, Cat Video, NYC, NY

1981 -Biennial Print Exhibition, curator Gene
          Baro, Brooklyn Museum, NY

        -Recent Acquisitions, The Studio Museum
          of Harlem, NYC, NY

        -Illusions of Space, The First Women's
          Bank, NYC, NY

        -The Working Process, New York City
          Department of Cultural Affairs, NY

        -Enroute: Six Contemporary Artists, The
          Studio Museum in Harlem,
          Curated by Patricia Moman Bell, NYC, NY

        -Off the Wall, Ludlow-Hyland Gallery,
          NYC, NY 

        -Action Against Racism, Westbeth
          Gallery, New York

        -I.P. Stanback Museum, South Carolina
          State College, Orangeburg, SC

        -Westdeutsch Landesbank, New York, NY

        -Inaugural Exhibition,  Jazzonia Gallery,
          Detroit, MI 

        -Voices Expressing What Is: Action Against
, Westbeth Gallery, NYC, NY                      

1980-Annual Juried Show, curated by Grace
         Glueck, Hudson River Museum, 
         Yonkers, NY

        -Prints and Drawings of Afro-Americans,
          Museum of the National Center for
          Afro-American Artists, Roxbury, MA;
          national touring exhibition

        -ll Works, curated by Patterson Sims, 80
          Washington Square East Gallery, NY
          University, NYC, NY
        -Summer Show, inaugural exhibition for 
          Kenkeleba Gallery, New York

        -Newton Street Gallery, Washington, DC

1979-N.Y. Artists: New Sensibilities, 22 Wooster
         Gallery, New York City, NY

        -Eastville Artists, curated by Alvin
          Loving, Guild Hall Museum, East 
          Hampton, NY

       -Art Works, Diane Brewer Gallery, NYC, NY

1978-25th Annual Juried Exhibition, curated
           by Hans Namuth, Parrish Art 
           Museum, Southampton, NY                    

        -Women Celebrate Women, Nassau
           County Museum, Hempstead, NY

        -Elaine Benson Gallery, Bridgehampton,

1977 -Grace Gallery, Brooklyn, NY

1976-National Association of Fine Arts Small
, national tour, Wooster 
         College, OH

1974 -La’Universita Dei Stranieri, Perugia, Italy

Grants, Fellowships, Residencies and Awards

2018 -Pratt Faculty Development Fund Award,   

2017 -Hydra Art Project, Perugia, Italy,

2015 - 2016 -Experimental Printmaking
           Institute, Lafayette College, Residency,
           Easton, PA

2014 -The Adolph and Esther Gottlieb
           Foundation, NYC, NY, Grant

2013 -The Artists' Fellowship Inc, NYC, NY,

          -The Mayer Foundation, NYC, NY Grant

2012 -Pratt Faculty Development Grant, Pratt
           Institute of Art, Brooklyn, NY

2009 -Pratt Faculty Development Grant, Pratt
           Institute of Art, Brooklyn, NY

2007 -Cultural Envoy to Syria, Representing the             

          USA at the 7th Annual Women's Art

          Festival, Aleppo, Syria

1999 -Brandywine Workshop, Fellowship,
           Philadelphia, PA

1997 -Lower East Side Printshop, Inc.
          Fellowship, NYC, NY

         -Western Carolina University, Residency,
           Cullowhee, NC

1996 -The Wheeler Foundation Grant, New

          -West Virginia Weslyan College,
            Residency, Buckhannon, WV

1994 -The Pollock-Krasner Foundation, Inc.,

1992 -Pondside Press Graphics Workshop,
          Fellowship, Rhinebeck, NY

1991 -Triangle Workshop, Residency, Pine
          Plains, NY

        -The Brodsky Center for Innovative
          Editions, Rutger's University, Fellowship,
          New Brunswick, NJ

1990 -New York Foundation for the Arts,
           Drawing, Grant

1989 -Bob Blackburn's Printmaking Workshop,
          Fellowship, NYC, NY

1988 -Coalition of 100 Black Women's Century
           Art Award, Best of Show, Juror Kellie
           Jones, Stamford, Conn.

1986 -Poster design for Jazz Mobil and Lincoln
          Center, Assoc. of Graphic Arts Awards,
          NYC, NY

1985 -New Jersey State Council on the Arts

1984 -N.Y. State Council on the Arts, Artist in
          Residence at Cinque Gallery, NYC, NY

1981 -National Endowment for the Arts
          Grant, Washington, DC

        -The Jerome Foundation Grant, NYC

Reviews, Articles, Catalogues and Publications

2018 -The Brooklyn Rail, Nanette Carter: An 
           Act of Balance, by Jonathan Goodman,
           Artseen, Feb 23
        -The New York Times, Weekend Arts II,
          Galleries, mention by Holland Cotter,     
          March 9

        -Balancing Hope/ Esperanza en Armonia,
         Catalogue for solo exhibition at Museo de
         Bellas Artes, Habana, Cuba, Statetment by
         Jonathan Goodman and Nanette Carter

        -Wall Street International Magazine, An
          Act of Balance, by Daniel Gauss, March 9

        -Prattfolio, Fall/Winter 2018, published by
         The Office of Communications Pratt

        -The A-Line: A Journal of Progessive
         Thought, image for "At Shakespeare's
         Bed", Vol.1, No. 2, Feb.6

2017 -Magnetic Fields: Expanding American
          Abstraction 1960's to Today, Catalogue
          for Traveling group show, Kemper
          Museum of Contemporary Art, "Erin
          Dziedzic on Nanette Carter", "Nanette
          Carter on EJ Montgomery", June 

        -Artnet news, Yes, Black Women Made
         Abstract Art Too, by Ben Davis,
         October 20

        -Montclair Local, Montclair Native Nanette
         Carter Shows Her Art-Work in Italy, by   
         Elizabeth Oguss, July

2016 -DxD: Differentiate by Design, Biannual
           Pratt publication, Profile by
           Charlotte Savidge, March

2014 -African American Artists and Abstraction,
           National Museum of Fine Arts, 
           Catalogue, Statements by Naima J. Keith
           and Alejandro Anreus, PhD, Havana Cuba

2013 -The Drawing Magazine, Drawing
          Materials, article by Lauren Kirchner,
          Spring, NY, NY

2012 -Pulse Magazine, Transcending Race,
          article by Oliver Peterson,  Southampton,
          NY, February

2010 -Black Renaissance Noire,” Alvin Loving:
          My Mentor My Comrade”, article 
          and art by Nanette Carter, Inst. of African
          American Affairs at NYU, Vol.9

        -Show at Solar Evoking McLuhan’s
, review by Eric Ernst, East
         Hampton Press, March 17

        -Mediums at Solar Gallery, reviewer Marion
         Weiss, Dan’s Paper, March 19

2009 -Uptown, article by Cheryl Riley, The
           Summer Issue, NYC,  NY

2008 -Seminal Works from the N’Namdi
written by Dick
           Goody, Catalogue, Oakland University of

        -Studios and Workspaces of Black
         American Artists,
text by Dennis L. Forbes,
         Published by Dennis L. Forbes

        -Pratt Prints, catalogue,  traveling show in
         Sao Paulo, Brazil

        -The Collector, Cultural Envoy to Syria, by
          Jacqueline N’Namdi, Chivago, Ill, vol.1

        -Chicago Tribune, review by Alan Artner,
          May 16

        -Inaugural Artists, Sharon Simmons
         Gallery, catalogue, Brooklyn, N

2007 -Art in America, review by Jonathan
           Goodman, Jan.

        -Tishreen, American Artist at Kozah
          Gallery, Damascus, Syria, Nov. 27

        -Tishreen, Art Pieces by an American
          Artist, Damascus, Syria, Nov. 28                           

        -Tishreen,, A View on Contemporary
          Western Art, Damascus, Syria,

        -Syria Times,, Syrians excited by Nanette’s
          Creativity,  Damascus, Syria, Dec.3

2006 -The Independent, Ashland, NC, Feb. 16 

           -Aqueous, catalogue, essay by Dr. Leslie
            King-Hammond, G.R. N'Namdi Gallery,
            N.Y.C., N.Y.

2005 -Art News, review by Margaret Hawkins,

        -The Boule Journal, Cover image, Fall

        -Nanette Carter: Fluid Borders, catalogue,
         N'Namdi Gallery, Chicago, IL 

        -​Town and Country, "Sag Harbor", article by
         Jennet Conant, Oct

        -The Chemistry of Color: African-American
         Artists in Philadelphia, 

1970- 1990, by Kim Sajet, The Harold A. and
         Ann R. Sorgenti  Collection of
         Contemporary African-American Art at the
         Pennsylvania Academy Fine Arts,
         Philadelphia, PA

        -Dwight Englewood School Today, Familiar
         Face, Fresh Paint,  article by Maria
         Asteinza , NJ, Spring 

        -The Montclair Times, Former Montclairite
          Showing Art in Englewood, Feb. 3

        -Winston-Salem Journal, Opening on a High
          Note, NC,  Feb.13

        -Winston-Salem Journal, Fine Art in New
          Home,  NC, Jan.9

2004 -A Century of African American Art: The
           Paul Jones Collection,
edited by
           Amalia K. Amaki, Nanette Carter's
          Discursive Modernism: The Collage-

          Aesthetic in "Light Over Soweto #4",
          chapter by Ann Eden Gibson, Rutgers
          University Press, NJ               

        -A Universe of Art, catalogue for Credit
         Suisse/ First Boston, NYC, NY

        -Five Contemporary Voices in a New Space,
         catalogue for Delta Arts Center, Winston-
         Salem, NC

        -Creating Their Own Image: African
         American Women Artist,
by Dr.
         Lisa Farrington, Oxford University Press,
         Oxford, England

        -Three Decades of American Printmaking:
         The Brandywine Workshop 
          introduction by Halima Taha, Ph.D., 
          Hudson Hills Press

        -The Chronicle, Diggs Gallery Will Host
          Symposium, Winston Salem, NC ,
          March 18

2003 -The International Review of African
           American Art,
cover work, article
           Cherilyn Wright, “A   Visual Explosion in
           Harlem”, Hampton University,
           Hampton, VA, vol.18, no.4 

2002 -The New York Times, Holland Cotter
           review,  “Six American Masters” , 
June 14

        -Six American Masters, catalogue essay by
          Kellie Jones, Sugar Hill Art Center, NY

        -ARTnews, Arlene McKanic review, “Six
          American Masters”, 

        -Detroit Free Press, Keri Guten Cohen
          review, “Mylar Lends Texture
          and Tension”, December 15

2001 -O: The Oprah Magazine,  “The Artist
           Way", November

        -Philadelphia Daily News, Renee Lucas
         Wayne review, “Off the Wall- Investing in
         Original African American Art”, PA,
         February 10

2000 -Slightly Off Keel, catalogue essay by
           Karen Wilkin, June Kelly Gallery, NY

1999 -Detroit Free Press, Karen Guten Cohen
           review, “Abstracts, Nudes Make Great
           Art”, September 26

        -The Philadelphia Inquirer, Edward
          Sozanski review, “Metaphors on Mylar”,
          October 22

        -Women Artists in Celebration of Lois
         Mailou Jones
, catalogue essay by Julia
         Hotton, National Arts Club, New York

        -A Place by the Sea, catalogue essay by
          Jim Richard Wilson, The Sages
          Colleges Rathbone Gallery, Albany, NY

        -The Daily Gazette, Patricia Krup review,
         “Abstract Ideals” Albany, NY, March 5

        -Metroland, Stacey Lauren review,
         “Skimming the Surface”, Albany, NY,
         review, March 21

        -Beyond the Veil: Art of African American
         Artists at Century’s End
, Cornell Fine Arts
         Museum, Rollins College, Winter Park, FL

1998 -Hatch-Billops Collection, Inc., James
           Hatch editor, “Artist and Influence,” New
           York, NY, Calvin Reid, interviewer

        -The Columbus Dispatch, Nancy Gilson
         review, “Sisters on Canvas: Ohio Native
         Comes Home”, review, October 5

        -Beyond the Veil: Art of African American
         Artists at Century’s End
, catalogue essay
         by Mary Jane Hewitt, Ph.D., The George D.
         and Harriet W. Cornell Fine Arts Museum,
         Winter Park, FL

        -Collecting African American Art: Works on
         Paper and Canvas
, by Halima Taha, Crown
         Publishers, Inc., NYC, NY

        -ART New England, Alicia Faxon review,

        -The Southampton Press, Erica-Lynn
         Gambino review, Goodheart
         Gallery, “Creations”, April 23

        -The New York Times, Phyllis Braff review,
          Long Island Section, Sunday, April 19

        -Sag Harbor Express, Annette Hinkle
          review, “Creations: Exploring Conflicts
          and Natural Order”, Thursday, April 2

        -Dan’s Paper, Marion Wolberg Weiss
         review, “Art Commentary”, Friday, April 17

1997 -Point-Counterpoint, catalogue essay by
          Calvin Reid, June Kelly Gallery, NY

        -The New Art Examiner, Richard Leslie,
         “Racism in the Art World: A Report on a
           Report”,  Chicago, IL

        -The International Review of African
         American Art
,  Jonell Jaime, “Fresh Paint!
         New York Scene”, Hampton University
         Museum, VA, vol. 13, no. 4

        -Essence Magazine, Khephra Burns,
         “Reframing Black Art”, July

1996 -Bearing Witness: Contemporary Works by
          African American Women Artists
          catalogues essays by Lowery Stokes Sims,
          Judith Wilson, Beverly Guy-Sheftall,
          Jontyle Robinson, Akua McDaniel and
          Tritobia Benjamin, Spelman College
          Museum of Fine Art, Atlanta, GA,
          catalogue published by Spelman College
          and Rizzoli International Publications 

        -Merry Christmas Baby, Paula Woods &
         Felix Liddell, Merry Christmas, Baby,”
         Harper Collins, NY

1995 -The Philadelphia Inquirer, Edward
           Sozansky review, October 13

        -American Visions, Anthony Murphy,
          article, September

        -Gumbo Ya Ya: Anthology of Contemporary
         African-American Women Artists
         introduction by Dr. Leslie King-Hammond,
         Midmarch Arts Press, New York

        -African-American Printmaking 1838 to 
         the Present
, catalogue essay by Harry
         Henderson, The Rockland Center of the
         Arts, West Nyack, NY

1994 -The New Art Examiner , Tom Csaszar
           review, Chicago, IL, , summer

        -The Columbus Dispatch, Tracey C.
         Hummer review, Columbus, OH, July 31

1993 -Monotypes/Monoprints, catalogue essay
          by Lisa Hagani, Associated 
          American Artists Gallery, New York

        -Twentieth Century African American Art-
         From the Collection of Mr. and Mrs. Darrell
, catalogue essay by David C.
         Driskell, University of Arkansas at Little
         Rock, AK

        -The New Art Examiner, Tom Csaszar
         review, , Chicago, IL, summer

        -The Philadelphia Inquirer, Edward
         Sozanski review, October 22

1992 -The Expanding Circle: A Selection of
          African American Art
, catalogue essay by
          Melvin Edwards, The Gallery at Bristol-
          Myers Squibb, Princeton, NJ

        -Master Prints from the Rutgers Center for
         Innovative Printmaking: 
The First 5 Years,
         catalogue essay Judith H. Brodsky, The
         Gallery at Bristol-Myers Squibb, Princeton,

1991 -Triangle Workshop’s 10th Anniversary,
          catalogue essays by Dore Ashton, Hilton
          Kramer, Karen Wilkin, Usdan Gallery,
          Bennington College, VT

        -The New York Times, Phyllis Braff review,
          Long Island Section, Dec., 1

        -ARTnews, Ruth Bass review, February

        -Ithaca Journal, George Bumgardner
         review, March 21

        -Daily Star, Oneonta, NY, article, March 8

1990 -Essence Magazine, Evette Porter, “Art for
           Our Sake”, May

        -Southampton Press, Robert Long review,

        -Newsday, Alastair Gordon review, NYC, NY,

        -The Sunday Star Ledger, New Jersey,
         Eileen Watkins, July

        -The Press, "Four Views, Four African
         American Artists", Cortland, NY, March

1989 -Monoprints/Monotypes, University of
           Maine at Orono, Museum of
           Art,  Catalogue, Orono, ME

        -The Detroit News, Joy Hakanson Colby
         review, January 27

        -The Detroit Free Press, Marsha Miro
         review, February 12

1988 -Who’s Uptown: Harlem ’87, catalogue
           essay by Deidre L. Bibby, The Schomburg
           Center for Research in Black Culture,
           NYC, NY

        -The New York Daily News, article,
         March 12

        -Black Art Today, video produced by Lisa

1987 -Current Thinking, catalogue essay by
          Corrine Jennings, Kenkeleba Gallery, NYC,

1986 -The Christian Science Monitor, article by
           Theodore Wolff, “Artist at Work -Nanette
           Carter”, September 11

        -Essence Magazine, article by Harriett
         Cole, July

        -Detroit Free Press, review by Marsha Miro,
         June 10

1985 -The Collage Handbook, John and Joan
          Digby, Thames and Hudson, London,

        -Black Women in the Arts, catalogue essay
         by Kenneth W. Bentley, Carnation
         Company Publication, Los Angeles, CA

1984 -Celebration: Eight Afro-American Artists
          Selected by Romare Bearden
           introduction by Romare Bearden, Henry
          Street Settlement, Louis  Abrons Arts for
          Living Center, New York

        -Detroit News, article by Joy Hakanson
         Colby, October 16

        -Detroit Focus Quarterly, article by
         Barbara Siwula, December

1982 -Midnight Birds, cover design for book by
          Mary Helen Washington, Japan

        -Black Currant, Magazine produce by Just
         Above Midtown Gallery, NYC, NY

1981 -Christian Science Monitor, Theodore
          Wolff review, February 2

        -WNET, Channel 13, television slide
         presentation for Black History Month, 

        -The Montclair Times, NJ, article,
          February 19

1980 -Flair magazine, article by Coreen
           Simpson, November

1979 -The New York Times, Long Island section,
          Helen Harrison review, Sunday,
          February 5

        -East Hampton Star, article, NY,
         February 15

1978 -Newsday, article by Amei Wallach,
          NY, May 28

        -Women Artists Newsletter, article by Rae
          Ferren, NY


2012 -Museum of African American History, 

          Commission, Detroit, MI

2005 -Poster for  "Sag Harbor Hills 55th 

          Anniversary, Sag Harbor, N.Y.

2003 -Mudd Library, Oberlin College, Juried, 

          Oberlin, Ohio

1990 -Poster for “Black Women in the Arts 1990” 

          exhibition, Montclair State University, 

          Montclair, NJ

1985 -Color Poster for Jazzmobile Concert, 

          Avery Fisher Hall, Lincoln Center, NYC, NY

1980 -Dwight-Englewood School, Englewood, NJ, 

          Mural 9 x 25 feet

Lectures, Workshops, Juries, Panels and Demonstrations

2019  -Bearden Foundation, Legacy of Cinque
, NYC, NY, Panel

2018  -Bard College, Annandale-On-Hudson,
           NY, Critiques, Lecture
         -Museo Nacional de Bellas Artes, Habana,
          Cuba, Workshop, Lecture

         -Instituto Superiore de Arte, Habana,
          Cuba, Class Discussion

         -Adolph and Esther Gottlieb Foundation,
          NYC, NY, Juror 

         -Black Artists and the Abstraction Idiom,
          Eric Firestone Gallery in conjunction with
          the Joe Overstreet show, NY, NY, Panel

        -Galerie Lelong, Discussion on exhibit
         "Mildred Thompson: Radiation, Exploration
         and Magnetic Fields", with Melissa
         Messina and Lauren Haynes, NYC, NY,

        -University of Hawaii at Hilo, Hilo, Hawaii,

        -Montclair Art Museum, 11th Annual Film
         Forum, NJ, Panel

2016 -Kyoto Seika University, Kyoto, Japan,
          Workshop, Lecture

        -Bishop Gallery and BRIC, Brooklyn, NY,

2015 -Lafayette College, Easton, PA, Lecture,

2014 -Pratt Institute, Brooklyn, NY; Pratt
          Professor’s Lecture Series

2013 -N’Namdi Center for Contemporary Art,
          Detroit, MI; Lecture 

        -Shiva Gallery, John Jay College, NYC, NY;

        -Montclair Art Museum, Montclair, NJ;

2010 -N’Namdi Center for Contemporary Art,
          Detroit, MI; Panel

        -Solar Gallery, East Hampton, NY; Gallery

2008 -Tribeca Performing Art Center, NYC, NY;

2007 -LePont Gallery, Aleppo, Syria; Lecture

        -The American Cultural Center, Damascus,
         Syria; Lecture

        -Kozah Gallery, Damascus, Syria; Workshop

        -Private University of Science and Arts,
         Aleppo, Syria; Workshop

        -25 Years of Abstraction, G. R. N’Namdi
         Gallery, NYC, NY; Panel

2006 -Ohio Council on the Arts, Cincinnati,
           Ohio; Painting Juror 

        -The Huntington Museum, The Walter
         Gropius Artist Workshop, Huntington, WV;
         Workshop, Lecture

        -Marietta College, Marietta, Ohio;
         Workshop, Lecture

2005 -The Princeton Club, N.Y.C., NY; Lecture

2004 -Winston Salem State University, Winston
           Salem, NC; Critique, Panel

        -University of Delaware, Newark, DE;
         Lecture, Interview

2003 -Wayne State University, Detroit, MI;

        -Oberlin College, Oberlin, Ohio; Lecture,

2002 -Sumei Multidisciplinary Art Center,
           Newark, NJ; Lecture, Critiques

        -New York Foundation for the Arts, NYC,
         NY; Painting Juror

2001 -The Art Institute of Boston at Lesley
          University, DePont Visiting Artist Lecture
          Series, Boston, MA; Lecture

        -Minnesota State University, Mankato, MN;
          Lecture, Critiques

        -Rhode Island School of Design,
         Providence, RI; Lecture, Critiques

        -Paterson State College, Paterson, New
         Jersey; Lecture, Critiques

        -Lynchburg College, Lynchburg, VA; Lecture
         and Workshop

2000 -Rhode Island School of Design Museum
           of Art, Providence, RI; Lecture, Critiques

        -Concordia College, Bronxville, NY; Lecture,

        -Barbara Greene Gallery, NYC, NY; Lecture

        -The Rockland Center of the Arts, West
         Nyack, NY, Panel with Howardena Pindell

1999 -Kentucky State Council, Frankfort, KY;

        -University of Wichita, KS; Lecture,

        -Pittsburgh Center for the Arts, PA; Panel

        -The Sage Colleges, Albany, New York;

1998 -The Tougaloo Art Colony, Tougaloo
          College, Jackson, MS; Lecture, Workshop

        -Ohio University, Athens, OH; Workshop

        -Museum for African Art, New York, NY;

        -West Virginia State College, Charleston,
         WV, Lecture, Critiques

        -The Montclair Art Museum, Montclair, NJ;

        -Lynchburg College, Lynchburg, VA;
         Lecture, Critiques

        -African American Museum, Dallas, TX;

        -Spokane Falls Community College, WA;

        -Eastern Washington University, Spokane,
         WA; Lecture

        -Cheney Cowles Museum, Spokane, WA;

1997 -University of Rochester, NY; Lecture,

        -University of South Florida, Sarasota, FL;

        -Rockland Community College, Suffern, NY;

        -A.I.R. Gallery, New York; Panel

        -Sarah Lawrence College, Bronxville, NY;

        -Sage Junior College of Albany, NY; Lecture

        -Hatch-Billops Collection, Inc., NY;
         Interview by Calvin Reid

        -Western States Arts Federation, Seattle,
         WA; Panel

        -Lower East Side Printshop,  NYC, NY, Juror
         for Special Editions

1996 -West Virginia Wesleyan College,
           Buckhannon, WV; Lecture

        -Rockland Community College, Suffern, NY;

        -Spelman College, Atlanta, GA; Panel,

1995 -Rockland Community College, Suffern,
          NY; Lecture

        -The Art Institute of Chicago, IL; MFA
         Critiques and Awards

        -New Jersey State Council on the Arts,
         Trenton, NJ; Painting Panel

        -State University of New York at New Paltz;

        -Guild Hall Museum, East Hampton, NY;
         Adult Workshops

        -The Rockland Center for the Arts, West
         Nyack, NY; Panel

1994 -Merrill Lynch, Somerset, NJ; Lecture

        -The Art Institute of Chicago, IL; Jury MFA

        -Guild Hall Museum, East Hampton, NY;
         Adult Workshop

        -Museum of Art, Rhode Island School of
         Design, Providence; Lecture

        -Rhode Island School of Design,
         Providence; Critiques

1993 -The Painted Bride Gallery, Philadelphia,
          PA; Panel

        -Guild Hall Museum, East Hampton, NY;

        -Ocean City Arts Center, NJ; Demonstration

1992 -Ohio State Council on the Arts,
          Cincinnati, OH;  Juror

        -Columbus Museum of Art, OH; Panel

        -The Noyes Museum of Art, Oceanville, NJ;

        -Franklin & Marshall College, Lancaster,
         PA; Lecture

1991 -Hartwick College, Oneonta, NY; Lecture,

        -Pratt Institute of Art, Brooklyn, NY; Panel
         with Lorna Simpson 

        -Southampton College, NY; Lecture

1990 -Michigan Technological University,
           Houghton,  MI; Workshop

        -Jersey City College, NJ; Lecture

        -East Hampton Center for Contemporary
         Art, NY;  Lecture

        -Montclair State College, NJ; Lecture

1988 -The Montclair Museum of Art, NJ; Lecture

        -Bloomfield College, NJ; Lecture

        -The Studio in a School Association, Inc.,
         NY; Workshop

1981 -The Studio Museum in Harlem, New York;

Selected Public and Corporate Collections

-Museo Nacional de Bellas Artes, Havana, 

-The Studio Museum in Harlem, NYC, NY

-The Newark Museum, NJ

-The Montclair Art Museum, NJ

-The Pennsylvania Academy of the Fine Arts,
  Phila., PA

-Columbus Museum of Art, Columbus, Ohio

-Jersey City Museum, Jersey City, NJ

-Huntington Museum, Huntington, WV

-Charles H. Wright Museum, Detroit, MI 

-Yale University Art Gallery, New Haven, CT

-Rutgers University School of Graduate
  Management, Newark, NJ

-Mudd Center, Oberlin College Library,
  Oberlin, Ohio

-Paul R. Jones Initiative, University
  Delaware, Newark, DE

-Herbert F. Johnson Art Museum, Cornell
  University, Ithaca, NY

-Museum of Art, Rhode Island School of
  Design, Providence, RI

-Saint Louis Art Museum, Saint Louis,

-The Jane Voorhees Zimmerli Art Museum,
  Rutgers University, New Brunswick, NJ

-University of Maryland David C. Driskell
  Center, College Park, Maryland

-The University of Alabama, Tuscaloosa, AL

-The University Museum, University of
  Delaware, Newark, Delaware

-The Butler Institute of American Art,
  Youngstown, Ohio

-The Library of Congress, Washington, DC

-Schomburg Center for Research in Black
  Culture, NYC, NY

-The United States Embassy, Togo, Africa

-The Bob Blackburn Printmaking Workshop,

-The Brandy Wine Workshop Collection,
  Philadelphia, PA

-Lower East Side Printshop, Inc., NYC, NY

-American Express, Minneapolis, MN

-ARCO, Philadelphia, PA

-AT&T, Florida, NJ

-Bristol-Myers Squibb, Princeton, NJ 

-Bellevue Hospital, NYC, NY

-Broadway Savings and Loans, Los Angeles,

-CIGNA, Philadelphia, PA

-Cochran Foundation, LaGrange, GA

-Curtis and Edison Law Firm, Detroit, MI

-Deloitte Touche LLP, Parsippany, NJ

-Dwight Englewood School, Englewood, NJ

-Ferguson Development, LLC, Lansing, MI

-First Independence National Bank, Detroit,

-General Electric, Fairfield, CT

-IBM, Stamford, CT

-Johnson & Johnson, Inc., New Brunswick, NJ

-Lang Communications, Randolph, VT

-Lucent Technologies, Warren and Basking
  Ridge, NJ

-Merck Pharmaceutical Co., Philadelphia, PA

-Magic Johnson Enterprises, Los Angeles, CA

-McKinsey & Co., NYC, NY

-Morgan Guaranty Trust Company, NYC, NY

-Motown Corp. L.P., Los Angeles, CA

-Mott-Warsh Foundation, Flint, MI 

-National Steel Corp., Pittsburgh, PA

-Nedd Hotel Collections, London, England

-Nextel Corp., Los Angeles, CA

-Nissho Iwai American Corporation, NYC,

-PepsiCo, NYC, NY

-Planned Parenthood, NYC, NY

-Salomon Brothers, NYC, NY

-Sims Varner and Associates, Detroit, MI

-Skadden, Arps, Slate, Meagher and Flom,

-State Farm Insurance, Wets Lake, CA 

-Times Mirror, NYC, NY

-U.S.A.A., San Antonio, TX

Films and Videos 

2017   "Ekphrasis, BRIC Films, Produced by Phyllis E. Roker, 

            Brooklyn, NY

2016   “Nanette Carter, In the Abstract", BRIC Films, Produced 

            by Phyllis E. Roker and Joseph Randhelli, Brooklyn, NY

2015   “Opened Window #13”,  mixed media work in film, 

           “Complete Unknown”,  Insert Name, Inc. Production, NYC, NY

2014   Montclair Art Museum’s Centennial Film

2007   Channel 2 English News, Damascus, Syria, interview

2006   “Colored Frames”, film by Lerone D. Wilson, Boondoggle films, 


2004   Valentine New York, magazine, interview on web site

1997   “Artists and Influence,” presents Nanette Carter, painter, 

           interview by Calvin Reid, video, November 16

1995   “Segments of Time,” painting used in the film, 

           “Waiting to Exhale”, Monsoon Enterprises, Inc.

            written by Terry McMillan, directed by Forest Whittaker


Professional Membership

1988 - 1994     Member of Artistic Committee,
Cique Gallery, NYC, NY

2002 - 2006    Member, Board of Directors, The Harlem School 

of the Arts,  NYC, NY

2006 to Present  Member, Board of Directors, The Matthew G. 

Carter Apartments,  Montclair, NJ


Teaching Experience   

2001 -   Adjunct Associate Professor, Tenured, Pratt Institute of Art, 

Brooklyn, NY

2012 - 2015    Coordinator for Undergraduate Drawing, Pratt, 

Brooklyn, NY

2003  Visiting Professor (one semester) Rhode Island School of 

Design, Providence, RI

1992 - 1993  Adjunct Professor, The City College of New York 

1989 - 90   Workshops for Adults, Jersey City Museum, NJ

1984 &1985 Summer Adult Workshops: Monotype,
Guild Hall Museum, East Hampton, NY 

1978 - 87  Printmaking and Drawing, Dwight-Englewood School, 

Englewood, NJ

1977   Teaching Assistant for Clare Romano, Pratt Institute of Art, 

Senior Year