Books and Catalogues

African American Artist and Abstraction, National Museum of Fine Arts, Statements by Naima J. Keith and Alejandro Anreus, PhD; Havana, Cuba, Catalogue, 2014
-Seminal Works from the N'Namdi Collection, Oakland University Art Gallery, curated and written by Dick Goody, Illinois, 2008
-Studios and Workspaces of Black American Atists, Text by Dennis L. Forbes, Published by Dennis L. Forbes, 2008
-Aqueous, Catalogue, essay by Dr. Leslie King-Hammonds, G. R. N'Namdi Gallery, NYC, NY, 2006
Pratt Prints, traveling show in Brazil, Catalogue, 2006
-The Chemistry of Color: 1970 -1990, by Kim Sajet, The Sorgenti Collection at the Pennsylvania Academy of Fine Arts, Philadelphia, PA, 2005
-A Century of African American Art: The Paul Jones Collection, edited by Amalia K. Amaki, Nanette Carter's Discursive Modernism: The Collage Aesthetic in "Light Over Soweto #4", chapter by Ann Eden Gibson, 2004
-A Universe of Art, Credit Suisse/First Boston, NYC, NY, 2004
-Creating Their Own Image: African American Women Artists, by Dr. Lisa
Farrington, Oxford University Press, Oxford, England, 2004
-Three Decades of American Printmaking: The Brandywine Workshop, Introduction by Dr. Halima Taha, Hudson Hills Press, NY, 2004
-Slightly Off Keel, Catalogue essay by Karen Wilken, June Kelly Gallery, NYC, NY, 2000
Articles and Reviews

Black Renaissance Noire, "My Mentor My Comrade", article and art by Nanette Carter, Institute of African American Affairs, New York University, Vol. 9, Winter 2010
"Show at Solar Evoking McLuhan's Observation", Review by Eric Ernst, East Hampton Press, March 17, 2010
"Mediums" at Solar Gallery, review by Marion Weiss, Dan's Paper, Bridgehampton, NY, March 19, 2010
-Uptown, Art: Tried and True, article by Cheryl Riley, Summer Ed. 2009

-Chicago Tribune, review by Alan Artner, May 16, 2008
-Art in America, review by Jonathan Goodman, January, 2007
-Tishreen, A View on Contemporary Western Art, newspaper, Damascus, Syria, December 3, 2007
-Syria Times, Syrian's Excited by Nanette's Creativity, Damascus, December 3, 2007
-Art News, review by Margaret Hawkins, December, 2005
-The International Review of African American Art, cover work "Motion Cleansing", A Visual Explosion in Harlem, article by Cherilyn Wright, Hampton University, VA, vol. 18, no. 4, 2003
-The New York Times, Six American Masters, review by Holland Cotter,
June 4, 2002
-Detroit Free Press, Mylar Lends Texture and Tension, review by Keri Guten Cohen, December 15, 2002
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